The producers of Dhokha Round D Corner (2022) are pleased with the audience response to their maiden venture in the taut thriller genre
Mumbai, 30 Sep 22: Dharmendra Sharma and Vikrant Surinder Sharma, the Producers of the recently released Dhokha Round D Corner (2022) are pleased with the audience response to their maiden venture in the taut thriller genre. Jointly working with Ajay Devgn FFilms as Creative Director, Associate Director & Editor, Dharmendra Sharma has previously edited and […]

Mumbai, 30 Sep 22: Dharmendra Sharma and Vikrant Surinder Sharma, the Producers of the recently released Dhokha Round D Corner (2022) are pleased with the audience response to their maiden venture in the taut thriller genre.
Jointly working with Ajay Devgn FFilms as Creative Director, Associate Director & Editor, Dharmendra Sharma has previously edited and creatively contributed to several films viz Tanhaji: The Unsung warrior (2020), Shivaay (2016)),Runway 34 (2022), Total Dhamaal (2019), Dhokha Round D Corner (2022), Thank God (2022), Son of Sardar (2012), The Big Bull (2021), Eela (2018) and amongst others. Vikrant Sharma excels in bringing in genuine production solutions to the table and has co-produced movies like Tanhaji: The Unsung warrior (2020), The Big Bull (2021), Runway 34 (2022), Shivaay (2016), Son of Sardar (2012), Bhagam Bhag (2006), Golmaal (2006), Eela (2018).
The vision of the Sharma brothers is to create and curate entertaining content in various genres. They have a knack for spotting new talent and have plans to introduce newer storytellers and voices to the Indian film industry. Having launched SSA (LLP), a company that is enriched with its strong production and creative expertise, the Sharma Bros. aims to produce richer, deeper, meaningful, and wholesome content for the new challenging market and are well connected with Bollywood as well As the south Industry.
With a positive start at the box office, #DhohkaRoundCorner promises a profitable investment for the makers! A multi-perspective thriller is doing well at box office along with the films’s satellite and OTT rights, it is turning out to be profitable!