Airbrush Moves Beyond Mobile With a Desktop Editor

For years, smartphone photography has been shaped as much by editing apps as by camera hardware. Airbrush, a long-running portrait retouching app, built its early following on quick, mobile-first beautification, think skin refinement, blemish cleanup, teeth brightening, face reshaping, presets, and simple background edits, designed for users who want social-ready results with minimal effort.

Airbrush launched as a mobile photo-editing app in 2015, riding the global shift toward “camera-to-share” workflows where a photo is expected to be polished before it’s posted. Over time, its toolkit moved beyond basic portrait retouching into a broader, more AI-assisted editing set. That includes utility-style features such as AI Eraser (removing unwanted people or objects), background removal and replacement, and AI Expand that extends the photo’s edges to create a wider frame. It also leans into lifestyle and creator-friendly effects like digital makeup, body reshaping, and, in some versions of the category, virtual try-on experiences that let users preview different looks. More recently, the value proposition has expanded further into “quality fixes” like image enhancement and even video enhancement, reflecting how photo apps are trying to cover more of the content pipeline.

That evolution has accelerated as the company behind Airbrush has pushed beyond mobile. In 2025, Pixocial Technology announced Airbrush Studio, a desktop portrait editing application for Windows and macOS. The move signals an ambition to serve heavier workflows, creators who want more screen space, smoother precision work, batch-friendly output, or a more “workstation-like” experience, without fully adopting the complexity of professional suites.

Pixocial is described in public disclosures as an overseas-focused unit within the Meitu group, with a product lineup that includes BeautyPlus and Airbrush. In 2023, Pixocial reported completing a US$22 million Series A round that brought in external investors, including Eight Roads, with the stated goal of supporting global operations and product development.

The strategy reflects a wider pattern in consumer creative software: apps that began as phone-based utilities are now becoming cross-platform “editing stacks.” Airbrush’s ecosystem spans mobile apps, web tools, and now desktop software, typically offered through a freemium model where subscriptions or in-app purchases unlock premium tools, higher-quality exports, and more advanced AI features.

What “AI editing” looks like in practice

In apps like Airbrush, “AI” usually means the software can identify faces, segment people from backgrounds, and apply multi-step improvements automatically. For users, that translates into fewer decisions and faster results: an edit that might once have required careful masking, manual retouching, and several adjustments can now be approximated with a couple of taps. That speed, especially on portraits, product shots, and social content, is a big reason why these apps remain popular with casual users and creators who prioritize output over technique.

Reception and the trade-offs

Airbrush is commonly described as easy to use and fast, strengths that fit its core audience. The trade-off is control. Automation can be limiting for users who want exact masking boundaries, precise color grading, or layer-based workflows. And as with most AI-driven editors, results can vary depending on the input: tricky hair edges, transparent objects, complex lighting, motion blur, or crowded backgrounds can expose the limits of one-tap editing. User feedback tends to reflect that split,convenience and speed on one side, and debates over realism, consistency, and creative control on the other.

The bigger debate: beautification and realism

Portrait retouching apps also sit inside a wider cultural argument about beauty standards and authenticity. As enhancements become more realistic and harder to detect, concerns grow about idealised images, social pressure, and the psychological effects of constant self-optimization. This isn’t unique to Airbrush, it’s a category-wide issue, but it shapes how these tools are discussed and how users evaluate them, especially when “beauty” features blend into everyday photography rather than being treated as obvious effects.

Where it stands now

Airbrush’s push toward desktop tools signals how quickly consumer photo editing is evolving. The next phase may depend less on adding another preset and more on balancing three competing demands: speed, user control, and trust. That includes clearer expectations about how edits are generated, how consistent they are across platforms, and how user images and data are handled when tools span mobile, web, and desktop.